Crime and Punishment in Cinema

deewar

India is the world’s largest democracy, but it is also a very unequal country, where some citizens are more equal than others. Convicted criminals, who are rich and powerful, seem to get out of jail well before their sentences have been completed. This is in sharp contrast to the lives of thousands of under trails languishing in jails not having access to a lawyer or even getting a chance for a fair trial. However, in the darkened “Halls of Cinema”, Good always wins over Evil and the Long Arm of the Law would eventually catch up with the criminals.

How does the film industry view crime and punishment? How do they represent it in their work? How do they deal with the law when one of their own is the accused?

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Wonder Woman – Finally a female perspective!

I walked out of the theatre after watching “Wonder Woman” feeling a complete sense of empowerment and self-belief that I can take on the world. I can’t remember feeling invincible or this elated after any film that I have seen and this is one of the reasons why this film is a global blockbuster success. Grossing $572 million worldwide it has set records for the biggest opening for a female-centric film. Superhero movies so far empowered only half the world’s population. Patty Jenkins, the first woman director of a studio super-heroine movie, empowers the other half.

When I first heard the title, I thought it was corny, expecting the film to just be a male version of “Superman”. I have never been a fan of superhero movies despite subjecting myself to several versions of “Superman”, “Batman” and “Spiderman”, more to humour my spouse than for my own interest. The worlds these movies inhabited were artificial to me and I could never suspend my disbelief enough to buy into these characters. I marvelled only slightly at the special effects and never got involved in the action sequences knowing fully-well who was going to be the victor at the end. But it was magical to feel the goose bumps on my skin and the rush of blood as I watched Diana (Gal Gadot), Princess of the Amazons take on the various men who tried to stop her.

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The Missing Female Protagonist in Tamil Cinema

I watched “Rogue One” in 3D last night with all its spectacular special effects, animated characters and breathtaking visuals. While I wouldn’t say it is the best of the Star Wars series, what impressed me was the way the female protagonist (Jyn) held the whole story together. This is a mainstream Hollywood, big- budget action film targeting a worldwide audience yet they chose to cast a young, relatively unknown actress to play a strong, brave and inspiring character with the mission to save her planet. Threatened by being annihilated by the Death Star – a weapon capable of apocalyptic destruction forcibly created by her kidnapped father – she is unafraid to go on this dangerous mission alone.

Although Jyn is accompanied by a male rebel commander, she deftly wields her weapon to destroy the inhuman storm troopers who come in her way. She inspires the scared allies to join her fight and gains the trust of the commander sent to kill her father, who relents due to her integrity. However, Jyn is not cold and emotionless. She does have a feminine, sentimental and loving side when she is briefly reunited with her father. She feels affection for the commander accompanying her on her mission and risks her own life to save a helpless child caught in the crossfire. In the climax, she boldly faces the antagonist on her own and completes her mission although sacrificing her life for the cause.

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