After joining the Film and Television Institute in the eighties to study cinematography, the first year was spent shooting still photographs, doing lighting practicals and lab work. We however watched a lot of films, argued more about them and of course dreamt of shooting our own films.
It was only in the second year that we got a chance to shoot on film. I remember my shot in the motion picture exposure practical exercise and it was a panning shot of somebody going into a building.
It was a bright day and the iris was cut down to f/22. I could barely see anything and some one shouted ‘start camera’. I was so nervous. The Arri 2c camera came alive – black and white film squeezing though the gears. Before I could get my bearings the shot was over. I wasn’t prepared for the flicker that I saw through the eyepiece. I thought my camera was faulty. My first shot in cinema was going to be wobbly. I had to wait for a week to see the results on screen.
I heaved sigh of relief when my shot came on screen. There it was – crystal clear with no flicker.